cat. Juan Gris was an artist who took everyday objects and produced modern, uplifting still life paintings from them. Boston, Institute of Contemporary Art, The Image Lost and Found, May 14–August 28, 1960, p. 48, cat. 198–199 and 341 (ill.), as Hommage à Pablo Picasso. cat. Gris, Juan, “Uber die Möglichkeiten der Malerei,” trans. (53.8 × 46.4 cm) Classification: Paintings Credit Line: Promised Gift from the Leonard A. Lauder Cubist Collection Richardson, John, A Life of Picasso, vol. 4), as Portrait de Picasso, 1912. There, from 1902 to 1904, he contributed drawings to local periodicals. Among his most well-known works is Portrait of Picasso (1912).. Childhood And Early Life. cat. Warnod, Jeanine, Washboat Days, trans. Robertson, Bruce, Twentieth-Century American Art: The Ebsworth Collection, exh. (cat. Juan Gris is recognized along with Pablo Picasso, Georges Braque, and Fernand Léger as one of the four major figures in Cubism, the avant-garde 20th-century art movement that revolutionized European painting and sculpture.Gris was born in 1887 in Madrid, where he later studied engineering from 1902 to 1904. 10, ill.), 302, as Homage to Pablo Picasso, 1912. (New York: Museum of Modern Art, 1942), p. 50 (ill.), as Pablo Picasso, 1912. 94, fig. Frascina, Francis, Cubism: Picasso and Braque (Great Britain: The Open University, 1983), pp. Gris idolized Picasso. cat. Object information is a work in progress and may be updated as new research findings emerge. At the same time, the inscription helped Gris solidify his own place within the Paris art world when he exhibited the portrait at the Salon des Indépendants in the spring of 1912. It would not be The Book 1878 that his work gained any. By using ThoughtCo, you accept our. 26, 94 (fig. 178 (ill.), 472 (note 41), as Hommage à Picasso/Portrait of Picasso, 1912. Kunsthalle Baden-Baden, Juan Gris, exh. 81 (pl. There, he met Russian ballet patron Serge Diaghilev, founder of the Ballets Russes. $22. Unfortunately, Gris' health continued to decline. (pl. 49), 32 (ill.), 78, 81, 240, as Retrato de Picasso, 1912. cat. In Paris, he encountered some of the leading artists of the emerging avant-garde scene including Henri Matisse, Georges Braque, and Pablo Picasso, as well as American writer Gertrude Stein, who would become a collector of Gris' work. The shadow she casts is used to give the sensation of depth, while her hands lie draped on her knees. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912. Quotations by Juan Gris, Spanish Artist, Born March 23, 1887. Shop for juan gris art prints from our community of independent artists and iconic brands. 16" x 24" Juan Gris Portrait of Germaine Raynal premium canvas print reproduced to meet museum quality standards. cat. Centre Georges Pompidou, Les années cubistes: collections du Centre Georges Pompidou, Musée national d’art moderne et du Musée d’art moderne de Lille Metropole, Villeneuve d’Ascq (Paris: Centre Georges Pompidou, 1999), p. 138, as Hommage à Pablo Picasso. Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son œuvre, ses écrits (Paris: Gallimard, 1946), pp. Barr, Alfred H., Jr. et al., Cubism and Abstract Art, exh. Adrichem, Jan van, De ontvangst van de moderne kunst in Nederland 1910-2000: Picasso als pars pro toto (Amsterdam: Prometheus, 2001), p. 188 (ill.), as Portret van Picasso, 1912. (fig. The art world knows him, however, under the somewhat shorter (and therefore memorable) pseudonym, Juan Gris. (Boston: Institute of Contemporary Art, 1960), pp. (ill.), as Portrait de Picasso, 1912. Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p. Title: Head of a Woman (Portrait of the Artist's Mother) Artist: Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine) Date: Paris, 1912 Medium: Oil on canvas Dimensions: 21 3/16 × 18 1/4 in. Juan Gris (1887-1927) was a Spanish painter who lived and worked in Paris, France, for most of his adult life. 27 (as "Portrait de Juan Gris," 1916). Hoffman, Edith, “Juan Gris at the Orangerie,” Burlington Magazine 141, 855 (June 1974), p. 357. Musée national d’Art moderne, Le cubisme (1907–1914), exh. 54 (fig. : "Hommage á Pablo Picasso/Juan Gris". Gordon, Donald E., Modern Art Exhibitions 1900–1916, vol. The Estate of Juan Gris and their presence hold all necessary copyrights and licences for all of his paintings and other works. Fosca, François, Bilan du cubisme (Paris: Bibliothèque des arts, 1956), p. 40, as Portrait de Picasso, 1912. He was one of the most significant cubist artists. His works are closely connected to the emergence of an innovative artistic genre - Cubism, creating several of the movement's most distinctive works. Paris, Société des Artistes Indépendants, 28th Exposition, March 20–May 16, 1912, p. 145, cat. Originally trained in math and physics, Juan Gris moved to Paris in 1906, where he met Pablo Picasso and Georges Braque and became involved in the Cubist movement. Madrid, Museo Nacional del Prado, The Spanish Portrait: From El Greco to Picasso, October 20, 2004–February6, 2005, pp. 9, 64 (ill.), 66, as Homage à Picasso. (New York: Museum of Modern Art, 1958), pp. Rosenthal, Mark, Juan Gris, exh. Label: In this dusky, youthful self-portrait, Juan Gris presents himself as an alert, dignified subject. 32, ill.) as Portrait of Picasso, 1911-12. (fig. The portrait of Juan Gris was probably painted at a single sitting - Modigliani seldom required more than two. Woolf, S. J. , “Its Foster Father Talks of Modern Art: Vollard Brought Out Painters of Genius,” New York Times (November 15, 1936), p. SM9 (ill.). 6, ill.), 36, as Portrait of Picasso. Peppiatt, Michael, “Summer riches,” Artnews 73, 6 (Summer 1974), p. 76. 345, ill.), as Portrait of Picasso, 1912. Cooper, Douglas, The Cubist Epoch (Oxford and New York: Phaidon and E. P. Dutton, 1970), pp. (Paris: Galerie Simon, 1928), n.p. Our artists start with a blank canvas and paint each and every brushstroke by hand to re-create all the beauty and details found in the original work of art. Bern, Kunsthalle, Georges Braque, Juan Gris, Pablo Picasso, April 2–29, 1948, cat. 8), 123 (ill.), as Retrato de Pablo Picasso (Hommage à Pablo Picasso), 1912. Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry N. Abrams, 1968), pp. New York. 1426, as Figure. cat. Low price guarantee, fast shipping & free returns, and custom framing options on all prints. Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to “Grassat” for Galerie Simon [letter from Kahnweiler of October 21, 1975 and December 2, 1975 in curatorial file]. 70% off! Montparnasse, the principal artists' quarter of Paris, was populated only by a handful of artists from non-belligerent countries. Gertrude Stein provided him with financial assistance, and he spent time at Henri Matisse's studio in the south of France. 1, ill.), as Portrait of Pablo Picasso, 1912. Juan Gris: Artistic Styles and Influences. Juan Gris, March 23, Juan Gris (1887-1927) was a Spanish painter, and one of the leading exponents of Cubism, Among his most well-known works is Portrait of Picasso (1912). In the months following the end of World War I in 1919, Juan Gris became ill from the lung disease pleurisy. Kunsthalle Basel, Juan Gris, Georges Braque, Pablo Picasso, exh. (93.3 × 74.4 cm) Credit Line Gift of Leigh B. Here he fractured his sitter’s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. C 13). Los Genios de la Pintura Española: Juan Gris (Spain: Onix de Communicaciones, 1991), n.p. Portrait Of Picasso by Juan Gris is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. Kahnweiler, Daniel-Henry, Der Weg zum Kubismus (Stuttgart: Gerd Hatje, 1958), p. 94 (ill.), as Picasso, 1912. Aznar, Jose Camon, “Juan Gris y sus Etapas,” Goya 3 (November–December 1954), p. 156 (fig. "Masterpieces from the Adelaide Milton de Groot Collection," December 2, 1958–March 1, 1959, no. Sold by Jacques Seligmann and Co., New York to Leigh Block, Chicago, June 1949 [Block Collection Card in curatorial file]; given to the Art Institute, 1958. Buffalo Fine Arts Academy, The Art of Today, exh. (Paris: Galerie Georges Petit, 1930), n.p. 24–25, 152, and 177, cat. 79, ill.), as Portait of Picasso, 1912. 43, ill.), as Portrait of Picasso, 1911-12. cat. Giclee Print. 8, ill.), 29, as Omaggio a Pablo Picasso, 1912. 67, ill.), 342, as Hommage à Picasso, 1912. 190, 320 (fig. 4, ill.), as Hommage à Pablo Picasso, 1912. cat. cat. 41 (fig. He also participated in the final major exhibit of cubist painters at the Salon des Independents in Paris in 1920. Juan Gris, whose original name is José Victoriano González, was born on March 23, 1887, in Madrid, Spain and died on May 11, 1927, in Boulogne-sur-Seine, France. cat. 306, 320, and 379–380, cat. Kahnweiler, Daniel-Henry, Les années héroiques du cubisme (Paris: Braun, 1950), n.p. He also blurs the distinction between the background and the central object in the picture. 3, ill.), as Retrato de Picasso. 26 (as "Juan Gris," 1916) [probably withdrawn early for Exh. Learn more. Daix, Pierre, Dictionnaire Picasso (Paris: Robert Laffont, 1995), p. 419, as Portait de Picasso, 1912. Zervos, Christian, Histoire de l’Art Contemporain (Paris: Cahiers d’Art, 1938), p. 236 (ill.), as Hommage à Picasso, 1912. Wood, James N. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Institute, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912. Gray, Christopher, Cubist Aesthetic Theories (Baltimore: Johns Hopkins Press, 1953), p. 97, as Portrait of Picasso, 1911. Blanco, Dolores Jiménez, Juan Gris (Madrid: Electa, 1999), pp. New York, Sidney Janis Gallery, Cubism 1910–1912, January 3–February 4, 1956, cat. cat. Matisse was a particularly prominent influence, especially for his use of colour. Gaya-Nuño, Juan Antonio, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. 43, ill.), as Portrait de Picasso, 1912. Gris’s style draws upon Analytic Cubism—with its deconstruction and simultaneous viewpoint of objects—but is distinguished by a more systematic geometry and crystalline structure. (Bern: Kunsthalle, 1948), n.p. O’Brian, Patrick, Pablo Ruiz Picasso (New York: G. P. Putnam’s Sons, 1976), p. 196, as Hommage à Picasso. The artist further ordered the composition of this portrait by limiting his palette to cool blue, brown, and gray tones that, in juxtaposition, appear luminous and produce a gentle undulating rhythm across the surface of the painting.Gris depicted Picasso as a painter, palette in hand. Portrait Of Picasso by Juan Gris is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. Palette at the ready, Picasso is literally larger than life (taking up most of the space on the canvas). 7 (ill.); traveled Cologne, Wallraf-Richartz Museum, December 28, 1965–February 13, 1966, as 1911/12. Apr 22, 2020 - José Victoriano González-Pérez, better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France most of his life. cat. 26 (cat. 112, 113 (fig. This oil painting, a portrait of the artist's wife, Josette Gris, was part of the donation made to the Prado Museum in 1979 by the Cubism historian Douglas Cooper. (fig. 53, ill.), 122. 9 (ill.), as 1911-12. 225, ill.), 201, 287, as Portrait of Picasso, 1912. Paris, Galerie Georges Petit, Cent ans de Peinture Française, June 15–30, 1930, n.p., cat. 13 (ill.). (Madrid: Museo Nacional del Prado, 2004), pp. His early cubist works are in the style of analytical cubism pioneered by Picasso and Braque. (Paris: Gazette des Beaux-Arts, 1935), n.p. Our artists start with a blank canvas and paint each and every brushstroke by hand to re-create all the beauty and details found in the original work of art. cat. (New York: Sidney Janis Gallery, 1958), n.p. (Bochum: Museum, 1981), n.p. 5. 14, 15 (fig. 15, 164, 172, 299, 305, 313, pl. cat. 10, 11 (ill.), as Portrait of Picasso. (Paris: Éditions des Musées Nationaux, 1953), p. 37, as Hommage à Picasso, 1912. Signed and inscribed, l.r. 29, 42, 48, and 211, cat. 30i. His use of brand logos and newspaper type anticipated the development of Pop Art a generation later. His work followed the development of the style through all of its stages. So soll das sein. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. 3, ill.), as Portrait of Picasso, 1912. Burlington Magazine 143, 885 (December 1976), p. 878 (fig. A clever tribute to his mentor, his portrait depicts Picasso (founder of Cubism) in the Cubist style. McCully, Marilyn and Michael Raeburn, Il cubismo: Rivoluzione e tradizione, exh. Musée Cantini, Juan Gris: Peintures et dessins 1887–1927, exh. cat. Portrait De Madame Josette Gris, 1916 Juan Gris. Speyer, A. James “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222, as Portrait of Picasso, 1912. 14, 15–18, 25, 29–30, 43, 45, 115, 118–119, 120, 172 (pl. (fig. Portrait of Juan Gris, 1915 In 1906, Modigliani moved to Paris, then the focal point of the avant-garde . Einstein, Carl, Die Kunst des 20 Jahrhunderts (Berlin: Im Propyläen, 1926), pp. 13, 24, 25 (fig. The starkly naked red-headed woman holds the mirror of truth, while above it is a quote by Schiller in stylized lettering, If you cannot please everyone with your deeds and your art, please a few. Gris's mysterious painting is of a woman holding a woven basket of vegetables in front of an oval window or mirror. He traveled to Bandol on the southeastern coast of France to recuperate. cat. From 1904 to 1905, he studied painting with the academic artist José Moreno Carbonero.It was in 1905 that José Victoriano González adopted the more distinctive name Juan Gris. cat. His works are closely connected to the emergence of an innovative artistic genre - Cubism, creating several … 7 (ill.), as Hommage à Pablo Picasso, 1911. Always custom made on premium grade canvas by European artists. Mosele, Franz, Die kubistische Bildsprache von Georges Braque, Pablo Picasso und Juan Gris unter besonderer Berücksichtigung der Entwicklung der Farbe (Ph.d. Dissertation, University of Zurich, 1973), pp. All juan gris artwork ships within 48 hours and includes a 30-day money-back guarantee. Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. Choose your favorite juan gris designs and purchase them as wall art, home decor, phone cases, tote bags, and more! His works are closely connected to … New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. He delivered the lecture, "Des possibilites de la peinture" at the Sorbonne in 1924. 9), as Portrait von Picasso (Hommage à Picasso), 1911/12. Juan Gris Title Portrait of Pablo Picasso Origin Spain Date 1912 Medium Oil on canvas Inscriptions Signed and inscribed, l.r. 41), as Portrait de Pablo Picasso, 1912. Self Portrait. Courthion, Pierre “Juan Gris, le logicien du cubisme,” XXe siecle 36, 43 (December 1974), p. 38, as Hommage à Picasso. To help improve this record, please email . (Dortmund: Museum am Ostwall, 1965), n.p. Derouet, Christian, Juan Gris: Cartas, Dibujos 1915–1921, exh. Berger, John, The Success and Failure of Picasso (Baltimore: Penguin Books, 1965), p. 58 (fig. 185, 193, 194 (fig. (Freiburg: Städtische Museen, Museum für Neue Kunst, 1992), p. 46 (ill.). Life. Dresden, Internationale Kunstausstellung, June–September 1926, cat. Roskill, Mark, The Interpretation of Cubism (Philadelphia: Art Alliance Press, 1985), p. 64 (no. Institute of Contemporary Art, The Image Lost and Found, exh. 1, ill.), 157, as Retrato de Picasso, 1912. cat. 12" x 18", Multiple Sizes. 378. Nishimura, Toshio (ed. 14 (no. [9] Portrait of Picasso , 1912, oil on canvas, the Art Institute of Chicago "Masterpieces from the Adelaide Milton de Groot Collection," December 2, 1958–March 1, 1959, no. (cat. 3, ill.), as Hommage à Picasso. A clever tribute to his mentor, his portrait depicts Picasso (founder of Cubism) in the Cubist style. Buffalo, Albright-Knox Art Gallery, Painters of the Section d’Or: The Alternatives to Cubism, September 27–October 22, 1967, pp. Letters of Juan Gris [1913–1927]. 14 (ill.), 16–20, 129, as Hommage à Pablo Picasso, 1912. (Madrid: Ministerio de Cultura, 1985), pp. cat. Bill Lamb is a music and arts writer with two decades of experience covering the world of entertainment and culture. However, within two years, he focused on synthetic cubism, which used collage techniques extensively. His eyes gaze piercingly from deep within the fleshy, heavily modeled contours of his face. (Boulogne-Billancourt: Musée Municipal, 1987), p. 54, as Un Hommage. 85, ill.), 379–380, as Homage to Pablo Picasso, 1912. Juan's mentor was the famous portrait painter José Moreno Carbonero, the owner of a private school in Madrid.
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