Followers of content-based playlists are more evenly spread out across the sample. We might presume, however, that in the intervening years that older users may have grown more comfortable with streaming platforms such as Spotify, as they become a more familiar part of the music landscape. That is a start at the very least. These figures are deliberately conservative, Spotify said, with its key podcast strategy still coming to fruition. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy. Deadset I cannot believe how difficult Spotify has managed to make it to access podcast download/listen statistics. Since jumping into Podcasting game, Spotify's Podcast section has swiftly risen to second place behind iTunes/Apple Podcasts as the most popular place podcasts are consumed. Indeed, it is only track to feature released prior to 2011. Marrying the two above discussions, Spotify is known to create playlists based on both content and context. Year-on-year, it’s a 69 million increase in users (32%), and 30 million increase in subscribers (30%) – a growth rate that has been fairly consistent in recent years. Moving to new and emerging trends, we saw Modern Bollywood the breakout genre (reflecting the move into India), and Lil Nas X, Lizzo, and Lunay the breakout artists. This followed on from 0.7 million shares purchased in 2018 for €77 million ($83 million). Demikian tutorial bagaimana cara membuat podcast terupload di Spotify. Music, on the other hand, is a form which has hugely suffered from the move away from physical media. It is predicted it will grow to 37.1 million over 2020. Before, we would pay for each individual film or album (or even song), which would then be in our possession for as long as we took care of it. Apple Music, on the other hand, did not get a score higher than 5, while Google Play Music was in negative figures. Otherwise Spotify subscriber growth has been proportionally even. Interestingly, a surge in US Spotify users is forecast towards the end of the forecast period in 2023. Reportedly, 40,000 new songs are added to the platform every day – so that ‘over’ is doing a lot a legwork. Even Post Malone’s 2019 figures, however, pale in comparison to Drake’s 8.2 billion streams in 2018 (and his 7.4 billion in 2016). Ariana Grande was the top female artist, followed by Dua Lipa, Cardi B, Taylor Swift, and Camila Cabello. These include Fausto, which has risen to become top podcast in Mexico. It took eight years of Spotify for one track to reach 1 billion streams, and 10 years for 10 songs to reach this threshold. Apple Music grew 18.5% over 2018 to reach 33.7 million. Spotify pays out around 52% of revenue to record labels, who would then pay their artists anywhere from 15% to 50% of that, depending on their status. Users of the service simply need to register to have access to one of the biggest-ever collections of music in history, plus podcasts, and other audio content. Over the course of 2019, 3.7 million shares were repurchased for €422 million ($457 million), at an average cost of €131.81 ($142.77). So hast du immer eine aktuelle Liste an interessanten Podcasts. In Q4 2019 this saw daily podcast recommendations being sent to users in key markets. A strong denial was issued, with an investigation by The Verge reporting that the music was largely composed by small artists working under aliases, many working for small labels that collaborate with Spotify. The same source indicates that 44% of these monthly-active users use Spotify on a daily basis. In second place, with over 6 billion streams, was Billie Eilish, with Ariana Grande in third. Spotify claims to pay 70% of revenue back to the music industry, though it has been noted this applies chiefly to major label music, and not podcasts, for instance. The most pronounced example of this comes in the APAC region, in which 67% of Spotify listening happens on mobile devices, compared to 39% on desktops. In the same month, however, Spotify had in fact asked for artists pay it money in exchange for on-platform promotion. Spotify reports that the fastest growth is occurring in less-established ‘rest of world’ segment (which encompasses Asia). Der Musik-Streaming-Dienst Spotify wird Podcast-Produzenten fortan Statistik-Werkzeuge zur Verfügung stellen, mit denen sich die Hörgewohnheiten des eigenen Publikums auswerten lassen. Tencent Music logs an impressive 11%, despite its heavy domestic focus (where it is split over a suite of four apps), while YouTube clocks 6%. Spotify’s total valuation is $29.5B. The access model – whereby we pay for unlimited access to as many different works as we can consume, so long as we keep paying our monthly rate – is now clearly the dominant form of consumption. This represents an increase of nearly a third since 2015. Apple and Pandora have lost market share since H1 2018 by this estimation, despite adding users while Amazon has gained slightly. For emerging artists, however, Spotify represents a problematic shift in the way the business operates. In real terms the figure would have been worth more against Netflix. Aside from these two big hitters, this top 10 featured other notable titans of the music industry, including Rihanna (who along with Ariana Grande represent the only female artists on this list), Coldplay, and Kanye West. Ed Sheeran may not have topped the list for a couple of years, but he yet to be ejected from the top-five, occupying fourth in 2019. Goodwater Capital give us a lower figure of 25 hours of content listened per month for the average Spotify user, in the last quarter of 2017. Compare growth in Spotify MAU in various regions we can see how growth in the rest of the world and Latin America has come to accelerate in recent years, while North American growth has been more steady. Mächtig flexibel. Just over another third goes on listening to user-generated playlists. BTS surpassed 5 billion streams over 2019, making them the first K-Pop band to do so. Both Apple Music and Amazon Music claim libraries of over 60 million songs. No repurchase activity took place over Q1 2020. One of Spotify’s most-loved features is the user-specific playlists generated at first weekly and now daily for each listener, based on their listening history. Der Jahresrückblick lässt dich die Künstler*innen, Songs und Podcasts, die du in diesem Jahr gehört hast, erneut erleben. Beyond this, various subscription levels are offered, as well as an ad-supported free service, and it is of course completely integrated with Amazon Echo speakers. Notably, nearly twice as many under-30s used Spotify as used Apple Music in the three months prior to the survey – perhaps something to do with the free service. We should perhaps takes this figures as a guide rather than gospel, owing to the complications that tend to arise from comparing two different datasets from two different sources. This tells a different story. Student/family subscriptions, for example, see discounted rates being applied. Despite the size of this figure, Spotify has attracted a good deal of criticism over the years of its existence for the paltry sums paid out to artists. It would later go on to sell the remaining 25%, bringing the total to $504 million. Regional figures from GlobalWebIndex dating from H2 2018 give us slightly lower totals, with no region quite reaching the 148 minute mark: This is a high figure, though if we assume users put on music every day in the background, it’s not inconceivable. This could be ascribed to a number of factors, though we might speculate algorithmic and playlisting trends driving listeners to top tracks have something to do with it. Year-on-year, we are looking at a €99 million ($107 million) or 29% increase. In financial terms this is worth $116,000-$163,000 to an artist. Of course, preferring one platform over another does not mean you are solely dedicated to it – especially when certain services are offered free for users, or others might have exclusive access to certain popular artists. This would have been totally unimaginable 20 years ago. The 2010s roundup came only two years after Spotify marked its 10th anniversary in 2018, which also saw some stats being realised on the most-played songs over the course of its first decade. Going by these trends, we might expect the list in 10 years’ time to look very different to now…. He finished the year in fourth place, with Post Malone and XXXTENTACION overtaking him. Deutschland bildete nach dieser Umfrage mit einem Nutzeranteil von 21 Prozent gemeinsam mit den Niederlanden und dem Vereinigten Königreich das Schlusslicht. Taking them out of the equation, we see that content-based Spotify playlists boast a higher median follower gain, but a lower mean follower gain than context-based Spotify playlists. Trotz dessen bleibt Spotify „leider“ die Nummer 1 aufgrund des Fehlens eines Äquivalents zu Spotify connect bei allen anderen Anbietern… Antworten spookyberlin 03.12.2020, 06:23 Uhr If we’ve seen a change in the course of a few short months, then it is perhaps to be expected that we saw changes over the two years since the 2018 decade of Spotify list. Apple, Castbox und Deezer mussten Verluste verzeichnen. It is the sole representative of the 20th century in the top 100. Invisibilia — A Popular Podcast for the Brainy. Science Vs. By: Gimlet Media. An analysis by Chartmetric of Spotify’s “Genres and Moods” category of playlists (thus including both types of playlist) shows that in terms of sheer volume, we find a greater number of followers for content rather than context-based playlists. Indeed, if we look to the UK, we can see that Spotify has a far greater reach than any commercial radio station. The structure goes a lot deeper. Also unsere ganz eigenen Podcasts Charts. Male listeners, on the other hand, seem to stick at around the same level from their early 30s, perhaps indicative of more entrenched listening habits. Spotify 2019 ad revenue came to €678 million, or $735 million, accounting for 25%. Looking at the global picture, Spotify remains comfortably in the lead with 108 million subscribers to Apple Music’s 60 million, as of June 2019. 30 seconds is deemed to be the cut off point to determine whether or not a user is enjoying a suggested track. 2018 was a relatively poor year for Sheeran, who only managed to be the fifth most streamed artist. Interestingly, 44% of Apple Music listeners also used Spotify, alongside 32% of Amazon Music listeners and a huge 55% of Deezer users. Spotify’s growth rate is alarming. Spotify is a global enterprise, however. It won’t be news to those who follow the music business that streaming has come to be the dominant medium through which music is consumed – overtaking physical records as a revenue source for the music industry in April 2018. Spotify 2019 revenue came to a total of €6.7 billion ($7.3 billion), with gross profit of €1.7 billion. Post Malone was, however, second in 2018, followed by XXXTentacion (who died midway through the year), J Balvin, and Ed Sheeran, coming in a relatively (for him) poor fifth. Semoga statistik dan jumlah pendengar podcast Anda semakin bagus dan terus meningkat. eMarketer predicts US Amazon Music listeners will increase to 43.3 million over 2020. While North American MAU growth may be slightly slower, it’s worth considering that when it comes to subscribers and related revenue generation, with 37 million subscribers (approximate) in Q4 2019. How the music industry and Spotify learn to work together will be on the key things which observers will be watching in years to come. The below chart shows Spotify user growth from launch until 2018, marking the introduction of new features such as the family payment plan, and Uber integration (users can choose to play their own music when taking an Uber). Rolling Stone reported in January 2019, that the average user was paying $5.50/month. This is very much the nexus of user engagement for Spotify. These two services are also the most popular with users of other apps. Around a third of Spotify listening time is spent listening to Spotify-curated playlists. If we separate the results into male and female listeners, we see that female listeners tend to remain closer to the mainstream overall, and hit peak divergence a little older – at 42, with a few more lurches in and out. Total streaming revenue rose by 22.9%, with subscription revenue specifically rising by 24.1%. März 2019, ein neues Feature bei Spotify for Podcasters bereit. This sees a less pronounced skew towards youth than we see with some apps. This represents a small decrease on the €1.86 billion reported in Q4 2018, and a 22% increase year-on-year. We might be able to ascribe this to advertisers looking for airtime during the Christmas period, in which Spotify no doubt has come to serve as a solution to soundtracking festive parties. Spotify reported that Mexico City played host to the biggest concentration of Spotify users (after launching in 2013), though without specifying just how many. Not too far behind RapCaviar is “¡Viva Latino!” with 10.6 million followers, brings Latin American music to the world. We're the second most popular place to listen to podcasts in the world — and growing fast. Indeed, Spotify picked up two million users in India within two months of its February 2019 launch there. Number of artists to which average Spotify user listens. The other, of course, will be the rise of Apple Music as a key rival. Apple music flips the percentages exactly, with as many female listeners as Spotify has male. Despite its pirate roots, streaming has become the engine room of revenue generated from recorded music. Other more recent features we might consider after this point is the annual ‘Your Top Songs’, customised to each user based on their year’s listening. Höre Musik und Hörbücher, wann und wo du willst. Length: 20–60 minutes. By signing up you agree to our privacy policy. Artists, of course, are more than aware of this; accordingly, Spotify’s vice president of content reports receiving thousands of emails a day from artists looking to be included on one of Spotify’s influential playlists – indeed, artists have even began to email his children asking them to petition their father to include them on one of these playlists. It does seem to be far too high…. This site only works if JavaScript is enabled in your Browser Formerly curated by ex-MTV Tuma Basa, the playlist has over 12.8 million followers, and has even spawned a series of arena tours headlines by members of the hip-hop aristocracy such as Migos and Chance the Rapper. Jakarta, CNN Indonesia -- Perusahaan layanan musik streaming asal Swedia, Spotify mengungkapkan pencapaian podcast pada kuartal pertama 2019. Billie Eilish’s WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? The most-played song by some distance, Sheeran’s “Shape of You” (2.48 billion streams, nearly 600 million streams ahead of any other track), was only released in January 2017. Ein Feature für diese Statistik hat Spotify nicht eingeführt, doch wir haben eine Webseite entdeckt, die dies für euch ausrechnet. Spotify increased subscribers to 130 million in Q1 2020, while Apple Music is estimated to be somewhere near the 70 million mark as of February 2020. Further breaking down US Spotify users by age, we see, as with so many apps, that younger demographics dominate. Spotify is the world’s biggest music streaming platform by number of subscribers. Free Spotify access comes with lower sound quality, and advertisements, and requires an internet connection. Spotify-curated playlists are responsible for a huge proportion of listens on the platform. Buzzsprout Podcast Analytics Dashboard In order to stand out among the sea of podcasts out there, you need to know how to improve your content. Then keep reading…. That Spotify has tried to reduce the amount it pays out to labels in order to ensure its own survival and will reassure few artists. Make data driven decisions and optimize your app strategy. Both show small fluctuations in the period covered but there’s no real discernible major trend, beside slight divergence in 2019 as Netflix ARPU increased and Spotify ARPU decreased. In proportional terms, these Spotify stats have remained consistent over the two years covered, bar a 1% gain from the rest of the world from North America in Q4 2018, and a 1% gain from the rest of the world from Europe in Q1 2020. In terms of costs, in 2019 Spotify spent €615 million ($666 million), on R&D, €826 million ($895 million) on sales & marketing, and €354 million $(383 million) on general & administrative. Professionelles Podcast-Hosting aus Berlin. Darüber hinaus wird ein Manager mit täglich mit statistischen Auswertungen überhäuft, die er verstehen und interpretieren mu… A different US analysis corroborates the above, showing that around 23% of male respondents, and 20% of female reported that they were members of Spotify as of March 2018. The hegemony was finally broken in 2019, with Post Malone taking the honours, with 6.5 billion global streams. The two services’ userbases are then predicted to travel in divergent directions, with Spotify continuing to add users while Pandora loses them. The following graphic shows where and when Americans were listening to Bonnie Tyler’s karaoke favourite “Total Eclipse of the Heart” during the solar eclipse of August 2017. The first was Drake, WizKid and Kyla”s “One Dance” in December 2016. In fact, according to IAB, podcast ad revenues are expected to top $22 million in 2017, climbing 85% from the previous year! Leaving aside the fact that 40% of listeners are trained solely on domestic artists, this shows that listeners are diversifying their Spotify listening. We should also note that these figures are an approximation, with the reality of how payouts are calculated a little more complex, contingent on a number of variables. The above graphic also breaks down each service by gender. His “God’s Plan” was the most-streamed song, and Scorpion the most-streamed album. They would then receive 50% of the net revenue generated, cutting the label out of the equation. While we should never turn away from these issues, we should also note, however, that Spotify is also a dream-come-true for music fans. Breaking down streaming services by operating system gives some unsurprising results. The 2019 breakdown also revealed that the top song not released in the current decade was Queen’s “Bohemian Rhapsody”. This is up from 271 monthly active Spotify users and 124 million Spotify Premium subscribers in Q4 2019. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Am zweitgrößten war der Anteil der Podcasts-Nutzer in Spanien mit 39 Prozent. The coronavirus pandemic has cast uncertainty over Spotify as it has with many companies. While physical media might be being outpaced by streaming, another industry that is increasingly finding its consumer base eroded by Spotify is commercial radio. The growth of the subscription model has seen consecutive years of revenue growth in the industry, which have seen revenue figures not too far off those we last saw when physical media was preeminent. It was, however, on “Baila Reggaeton”, with a little under 10 million followers, that you would have found a certain “Despacito” featuring on the very first day of its release, as well as J. Balvin’s huge hit “Mi Gente”. We see a greater bias towards these two more affluent regions in terms of subscribers (39% European vs 35% of MAU and 29% North American vs 26% of MAU). These scores are reflective of the far higher level of comfort with streaming among younger users. Over 16% of Spotify MAUs engage with podcast content, with over 700,000 titles available. Spotify is a digital music service that gives you access to millions of songs. Spotify itself reports that ad-supported listeners listen to 2.5 hours per day on average (as of 2018).
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